■ KYOTO ANTIQUE FAIR
"AMANOGAWA" YUMEKOUBOU COLLECTION
Iizuka Rokansai Exhibition
Date : 2026.6.27 - 28
Venue : 京都パルスプラザ
■ VOLTA
NAOKI OGAWA EXHIBITION
「Narrative」
Date : 2026.6.17 - 21
Venue : Hall 4.U, Congress Center, Messeplatz 21, Basel
By incorporating the origami crane into our own personal lives, new narratives begin to emerge—narratives that are then passed on to someone else. The origami crane as Story is an established cultural symbol: a completed narrative inherited across generations, carrying meanings that have been passed down from the past into the present. In contrast, Narrative, as presented in this exhibition, refers to a subjective and evolving story—one that is shaped through each individual's past and present, and continues into the future.
This idea lies at the heart of the exhibition title, Narrative.
I believe that each of us carries our own image of the origami crane, as well as our own understanding of prayer and hope. The way we connect with these symbols is deeply personal. Through an encounter with these works, I hope each visitor may discover something that quietly resonates within them and stirs the heart. This exhibition also marks my first opportunity to present my work in Switzerland. It is my sincere hope that these thoughts and feelings will reach viewers here, gently transcending the boundaries of language and culture.
折り鶴を自分自身の物語の中に組み込むことで、新たな物語が生まれ、そしてまた次の誰かへと継承されていく。既に語られてきた“Story”としての折り鶴、それは、過去から現在へと受け継がれてきた、完結された象徴の物語です。本展が示す“Narrative”とは、個人の過去と現在を通して未来へと続いていく、主観的な物語を意味しています。
本個展タイトル「Narrative」には、そうした思いを込めています。ひとりひとりが自分なりの「折り鶴」や「祈り」のかたちを持っているかと思います。どの様に感じ、どの様に思いを重ねるかは人それぞれですが、作品との対話を通し、心を揺さぶる「なにか」が生まれれば幸いです。また、今回のスイスでの展示は私にとって初めての機会となります。この場所で、文化や言語を越えて、これらの思いが見る人々へ静かに届くことを願っています。
Fujii Kansuke / Nishihisamtsu Yuka/ Onogawa Naoki
「LOTUS PATH - Life circles, Prayer overflows」
Date : 2026.6.3 - 12
Venue : Galerie Charpentier, Paris
We are pleased to announce our participation in the “Salon d’Art Asiatique,” to be held from June 5 to 8 at Galerie Charpentier, located at 76 Rue du Faubourg Saint-Honoré in Paris’s 8th arrondissement, opposite the Élysée Palace.
For our third participation in Printemps Asiatique, we are proud to present an exhibition entitled “Renro – Life Circles, Prayer Overflow,” featuring works centered around the theme of prayer.
The lotus flower, which blooms gracefully from the mud, is in Japan a symbol deeply connected to Buddhism and one of the most enduring emblems of prayer. Origami cranes are likewise widely recognized as symbols of peace and prayer.
From a Buddhist sculpture of the Kamakura period to works by contemporary artists, we invite you to discover the many forms of prayer across the ages.
DAISUKE ISHIZUKA EXHIBITION
「原点回帰 Back to the Origin」
Date : 2026.5.21 - 24
Venue : Hall 11, National Agricultural Exhibition Center, Beijing
「Between Fernweh and Home」
Ryu Jeyoon & Liu Junru Duo Show
Date : 2026.4.9 - 12
Venue : Luzhen Mountain Top Square
Ryu Jeyoon
류제윤
Born in 1990, South Korea
2009 - Graduated from Korea Ceramics High School
2013 - Completed exchange program at the Eugeniusz Geppert Academy of Art and Design in Wrocław, Poland
2015 - Bachelor’s degree in Ceramics from Kyung Hee University, South Korea
2021 - Master’s degree in Ceramics from Kyoto City University of Arts, Graduate School of Fine Arts
Currently based in Kyoto, actively working in South Korea, Japan, Taiwan and China
Liu Junru
劉 峻如
Born in 1999 in Dalian, China, the artist moved to Japan in 2018. She received her BFA in Oil Painting from Kyoto Seika University in 2024 and completed her MFA in Oil Painting at Kyoto City University of Arts in 2026. She currently lives and works in Kyoto. Her practice centers on the motif of the house and the landscapes of memory. Through a process of repeatedly applying and wiping away layers of oil paint, subtle colors accumulate beneath seemingly thin surfaces, creating a space between presence and absence. By rendering houses in geometric and ambiguous forms, she approaches memory as a universal sensation rather than depicting a specic place.
Her work explores how memories of home exist in a vague yet deeply rooted way and invites viewers to recall their own personal experiences and emotional connections with the idea of home.
FURUTANI KAZUYA EXHIBITION「孵化の時 Hatcing Time」
Date : 2026.3.25 - 29
Venue : Central Harbourfront 9 Lung Wo Road Hong Kong
【The Time of Hatching】
"Broken Jar"
Using the power of fire to shatter my own shell.
"Hatching Time"
To break it by my own strength.
Until now, I have sought functional beauty, facing the clay.
But now, I listen only to my inner voice.
The pain and the joy of bringing something into being.
My hands naturally formed a shape, and into its hollow space;
A small inner voice.
What was born feels like a sprit on the verge of breaking its shell and opening itself to new meaning.
Even person carries an inner voice.
The thing I created was like myself.
【孵化の時】
「破」炎の力を使い自分の殻を破る
「孵化の時」自らの力で破る
今までの自分は用の美を求め土に向かっていた
そんな私が自分の内なる声だけを聴く
何かを生み出す苦しみや楽しみ
手が自然と形をつくり
その空洞の中にコロンと小さな内なる声を入れた
生まれたモノは
今まさに新しい価値へと
殻を破ろうとする心のようだ
人は誰しも内なる声を持つ
創り上げたモノは私自身のようだった
■ KYOTO ANTIQUE FAIR
Masterpieces of Art & Design
Date : 2026.3.27 - 29
Venue : 京都パルスプラザ
In March 2026, we held the MAD Exhibition.
The MAD Exhibition is a collaborative project between Yumekobo and Swanky Systems, showcasing the appeal of designers’ furniture and art. Rather than presenting each piece individually, the exhibition is curated with careful attention to the designers’ and architects’ concepts and intentions, creating a cohesive display through a considered balance of form, composition, and color. While the atmosphere may feel somewhat extraordinary, the furniture on display is by no means detached from everyday life. Each piece is thoughtfully designed for long-term use, combining functional ingenuity with refined, minimalist aesthetics.
Beyond their beauty, these works are distinguished by the clarity of their underlying philosophy and context, giving them a timeless quality that is less susceptible to shifting trends and values. All furniture exhibited consists of authentic pieces, many of which are rare and highly valuable.
2026年3月、MAD展を開催いたしました。
MAD展とは、夢工房と Swanky Systemsとのコラボレーションによりデザイナーズ家具・アートを中心にその魅力を紹介する展示会です。家具やアート作品を単体で展示するのではなく、デザイナーや建築家の特徴や制作意図を大切にしながら、家具全体のバランスや配色などにこだわりを持って統一的に展示しています。非日常のような印象ですが、展示されている家具は、決して私たちの暮らしからかけ離れたものではなく、機能的な工夫と無駄のないシンプルなデザインで長く使い続けられるように設計されています。美しさはもちろん作品に対する思想や背景が明確で、時代による価値が変動されにくい素晴らしさを持っています。
展示している家具はすべて正規品で希少価値の高いものとなっています。
■ ART FAIR TOKYO
GIZAN KATOH EXHIBITION
「KAMNABI 神奈備」
Date : 2026.3.13 - 15
Venue : Tokyo International Forum Hall E & Lobby Gallery
【GIZAN KATOH】
GIZAN was born is Sumida-ku, Tokyo and lives in Saitama.
The fifth from Koun Takamura, Buddhist sculptor.
While he makes Buddhist statues based on rules of rites, Gizan seeks subject not only in Buddhism but also in Japanese classics, history and mythology and creates unique works. On the basis of his identity as a Buddhist sculptor, and Japanese authentic sense rooted in its histories, traditions, cultures and tribes, GIZAN pursues the reason of faith and universal beauty.
【加藤巍山】
1968年、東京・本所両国に生まれる。武蔵國住。
高村光雲より五代。
儀軌に準拠した仏像を制作する一方、日本の古典や歴史、仏教や神話を題材とした作品を制作。歴史や伝統、文化、民族に根差した「日本の美意識」と「仏師」であることに立脚しながら祈りの根源を探求し普遍的な美を求む。
■ ART SG
ONOGAWA NAOKI EXHIBITION
「Silent Prayer」
Date : 2026.1.23 - 25
Venue : Marina Bay Sands Expo and Convention Centre
【Naoki Onogawa】
Born in Tokyo in January 1991.
Known for his signature work 'Cranes Tree', the artist has been deeply familiar with origami since childhood. While studying in Tokyo, he was profoundly affected by the Great East Japan Earthquake of March 11, 2011. A visit the following year to Rikuzentakata in Iwate prefecture further impressed upon him the overwhelming power of nature, as well as the resilience and vitality of people living within it. These experiences became the catalyst for creating works centered on the origami crane. He positions the crane as a solemn symbol of 'prayer', imbuing his works with a delicate and mysterious beauty.
【小野川 直樹】
1991.1 東京都生まれ。
代表作「鶴の樹」をはじめ、折り鶴をモチーフとした作品を制作している。幼少期の頃から親しみの深い折り紙。学生時代に東京で経験した3.11東日本大震災、翌年訪れた岩手県陸前高田で受けた自然への恐ろしさとその中で輝く生命の力強さが、折り鶴をモチーフに制作するきっかけとなる。折り鶴を厳かな「祈り」の象徴として位置付けており、その作品には繊細で神秘的な美しさが漂う。
